T-REX Replica Delay Pedal
THE T-REX REPLICA DELAY PEDAL IS PROBABLY THE BEST DELAY PEDAL IN THE WORLD!
Guitar Player Magazine gave The T-Rex Replica the editors Pick-Award.
Whenever the T-Rex Replica Pedal is tested, it always gets top rates.
Many famous players are using The Replica. Just have a look far right under Who plays T-Rex . You will see Carlos Santana, Gary Moore, John Mayer, Greg Lake, Steve Morse etc.
Just leave the replica on! - most players say
It is hard to believe, that this delay pedal is digital. It gives the warmth of all-tube echo and also cool digital delay in studio quality. All with the convenience of one pedal.
TIME, REPEAT, MIX and LEVEL knobs allow for quick, precise control. A Hi-cut button cuts high frequencies on repeats - perfectly simulating the tone of a 60s era tape echo.
With a simple flick of a switch you can alter the delay’s subdivision parameter from 1/4 to 1/8 triplets, and to make the delay fit your purpose we even added a Tap-Tempo switch to get you right in time with your tune.
Play the T-Rex Replica Pedal and you'll buy it!
Soundfiles
Lead.
Delay 2 o´clock, repeats 9 o´clock, tempo 9 o´clock.
>> T-Rex Replica Delay off
>> Replica Delay Pedal on
Slap back delay.
Delay 11 o´clock, repeats 10 o´clock, tempo 1 o´clock.
>> T-Rex Replica Dealy Pedal off
>> T-Rex Replica on
Long delay accords.
Delay 12 o´clock, repeats 10 o´clock, tempo 3 o´clock.
>> Replica Delay off
>> T-Rex Replica Pedal on
Features
The DIRECT plug on the top is an output plug. The dry signal is send directly through the pedal to the DIRECT plug without disturbance. You can use this plug to:
- send the signal to a tuner
- send the signal to an extra amplifier and get a stereo like sound, when playing two amplifiers
- make a retro sound. You send the delayed signal using the OUTPUT plug to a stereo simulator, that sends the stereo signal to two amplifiers. You connect a third amplifier using the DIRECT plug. Retro sound!
The ECHO –knob determines the amount of processed signal in the signal mix.
- In minimum position only the direct signal is heard
- In maximum position only the delay (processed signal) is heard
The LEVEL –knob sets the overall volume.
At maximum level, the signal is boosted approx. 3dB.
The REPEAT –knob controls the number of repetitions of the delay signal.
- In minimum position the delay signal is only repeated once
- In maximum position the delay signal is repeated to almost infinity
The TEMPO –knob sets the delay time.
- Minimum delay time is approx. 12 milliseconds
- Maximum delay time is approx. 1500 milliseconds
The LED indicator below the TEMPO inscription indicates the delay time.
When the TEMPO –knob is turned while playing, the delay signal is muted.
The TAP TEMPO -footswitch enables you to tap the delay time while playing.
The SUBDIVISION –button generates quarternote triplets of the tapped tempo. First you hit the button, then you tap the tempo using the TAP/TEMPO footswitch. Instead of coming on the beat, the echo now comes between the beats like 1-echo-2-echo-3-echo-4 etc.
To really hear the difference, it is recommended to use a drum machine or similar to hold the beat while using the SUBDIVISION function.
The BROWN –button is a High-Cut filter that alters the tone of the repeats. The result is a warmer, smoother delay sound reminiscent of the tone of a 60´s era tape echo.
The MIDI –socket allows you to control the tempo externally. (CTL. No. 20)
Controls:
ECHO, LEVEL, REPEAT and TEMPO.
Modes:
SUBDIVISION and BROWN
